November 24th, 2008, by admin
Category: 18
All Genres: Horror, Mystery, Sci-Fi
Release Year: 2004
Country: USA
Runtime: 88
Rating: (0)
Languages: English
Director: Marcus Nispel
Sound: Mono
Taglines:
  • Someone new is playing God.

  • Writing by: Dean R. Koontz - concept
    Mary Shelley - certain original characters (uncredited)
    John Shiban - written by

    Produced by: Kimberly C. Anderson - co-producer
    Ra'uf Glasgow - co-producer
    Tony Krantz - executive producer
    Nina R. Lederman - co-executive producer (as Nina Lederman)
    Jacky Lee Morgan - co-producer
    Kim Moses - co-executive producer
    Marcus Nispel - producer
    Vincent Oster - supervising producer
    Malcolm Petal - co-executive producer (as J. Malcolm Petal)
    Ian Sander - co-executive producer
    Martin Scorsese - executive producer
    John Shiban - executive producer
    Dean R. Koontz - executive producer (uncredited)

    Cast: Parker Posey - Detective Carson O'Conner
    Vincent Perez - Deucalion
    Thomas Kretschmann - Victor Helios
    Adam Goldberg - Detective Michael Sloane
    Ivana Milicevic - Erika Helios
    Michael Madsen - Detective Harker
    Deborah Duke - Angelique
    Ann Mahoney - Jenna (as Ann Mahoney Kadar)
    Deneen Tyler - Kathleen Burke
    Brett Rice - Detective Frye
    Stocker Fontelieu - Patrick

    Music: Normand Corbeil
    Official Website: Visit Website


    Plot Outline: Two hundred years after Mary Shelley's novel the brilliant but mad Doctor (Thomas Kretschmann) has sustained...
    Plot: Two hundred years after Mary Shelley's novel the brilliant but mad Doctor (Thomas Kretschmann) has sustained his creature and himself over two centuries through genetic experimentation. In present-day America Detective O'Connor (Parker Posey) is investigating a series of horrific murders which leads her to the doctor and his creature. What she uncovers reveals the strange evolution the doctor and his creation undergo over the course of two centuries and the divergent paths creator and monster take in pursuing good or evil.

    Movie Quotes: Detective Carson O'Conner: The M.E should be about done. I'm gonna hit the morgue tonight.
    Detective Michael Sloane: Great
    [throws hotdog into the trash]
    Detective Michael Sloane: Hey look, why don't we blow off the morgue? Look between the department and your brother, you don't sleep.
    Detective Carson O'Conner: So which isn't important my job or my brother?
    Detective Michael Sloane: I just-I just think you should take a break once in a while.
    Detective Carson O'Conner: The surgeon's not taking a break.
    Detective Michael Sloane: Hey even the psychical killers take the occasional nap, you know. Go see a movie.


    Crazy Credits: We know about 1 Crazy Credits. One of them reads:
    No lamps were harmed in the making of this film.

    Goofs: We know about 20 goofs. Here comes one of them:
    Factual errors: At the beginning of the movie (when it is January) it is pitch black out for all the night scenes. That close to the South Pole the sun would be above the horizon for at least twenty-three hours per day, and the sky would still be quite bright for the other hour. Also, just before the dogs are rescued, (July time frame) shadows are seen indicating that the sun is pretty much directly overhead. During this time of year, the sun is only above the horizon for about an hour per day, and would never be anywhere near that high in the sky.

    Trivia: There are 1 entries in the trivia list - like these:
    • The concept for this telefilm was originally developed by Dean R. Koontz and collaborator Kevin Anderson, and intended as a television series. When USA Networks joined the project as production company and distributor, Koontz signed on as screenwriter and executive producer. Martin Scorsese also signed on as executive producer, and a cast (most of whom were in the final product) was assembled. Following creative disputes between USA and Koontz, both Koontz and Scorsese left the project (Scorsese was later convinced to return). Koontz and Anderson later developed the concept into a series of novels (as "Dean Koontz' Frankenstein"), but Koontz allowed USA to use the names of his characters as long as they altered the plot and removed his name from all consideration.


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